And Whitney’s extensive language support, covering more than 200 languages worldwide, has made it a mainstay of diversified brands that require localized typography. Its compact forms and broad x-height use space efficiently, and its ample counters and open shapes make it clear under any circumstances. While American “gothics” such as News Gothic (1908) have long been a mainstay of editorial settings, and European “humanists” such as Frutiger (1975) have excelled in signage applications, Whitney bridges this divide in a single design. But typefaces designed for wayfinding programs need to be open enough to be legible at a distance, and sturdy enough to withstand a variety of fabrication techniques: fonts destined for signage need to anticipate being cast in bronze, etched in glass, cut in vinyl, and rendered in pixels.

Typefaces for catalogs and brochures need to be narrow enough to work in crowded environments, yet energetic enough to encourage extended reading. A type family originally developed for New York’s Whitney Museum, Whitney contends with two different sets of demands: those of editorial typography, and those of public signage. The designing of this typeface is being done. file (already loaded with a full complement of fonts and accessories). In this article, we are going to introduce you to the digital age sans-serif typeface that is specially designed to be used for all different types of digital age designs, and the designing of this typeface has been done by American type designer Tobias Frere-Jones. Whitney: clear for signage, compact for print. 185 SOFTWARE Our Price List WORD STAR 3.3 125 495 Toll Free 1-(800) 722-7074.

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